Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

Jurassic World (PG-13)

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Directed by: Colin Trevorrow
Starring: Chris Pratt
June 2015

This review was originally tweeted in Real-time from the back row of a movie theater and appears @BackRoweReviews. Though efforts were made to tease rather than ruin this movie’s memorable lines and moments, some spoilers may exist in the following evaluation. The original tweets appear in black, while follow-up comments appear in red. For concerns over objectionable content, please first refer to one of the many parental movie guide websites. All ratings are based on a four star system. Happy reading!

Jurassic World
That’s really why we watch these movies, right?

Nice #Psyche moment with the bird foot.
Nice setup for the attack of the birds later in the movie.

“If something chases you...run.” That goes without saying in these #
JurassicPark films.
Although, if it’s T-Rex, your best bet is to stand still since its visual acuity is based on movement.

“More teeth.” #IndominusRex #PlayingGod
So here we have the beginnings of the ethical debate over scientific responsibility vs. consumer demands for newer, better attractions at the park. The argument is broached ad nauseam throughout the movie. You might say that such fixation on the topic is like beating a dead stegosaurs.

#Mr.DNA sighting.
Remember him from the first film? A nice inside gag.

The restricted area is like half the island. #BadOmen
“What have they got in there, King Kong?”

“Accept that you are not in control.” The essence of #Chaos.
It’s also one of the steps in A.A.

“Bigger than expected.” #KingKong size? #IndominusRex

#RaptorTraining #Frightening
The very idea that raptors can be trained is hokey as heck, but it makes for an interesting section of the film…especially when the gatekeeper falls in.

“War’s part of nature.” But is it ethical to bring nature to a war?
This whole subplot with Vincent D’Onofrio is utterly inane. Using raptors as foot soldiers? What could possibly go wrong with that plan? If the raptors are hungry for human flesh, I doubt they’ll discriminate between different sides of a conflict.

The Raptor #FieldTest comes sooner than expected.
This is one of the better action sequences in the movie. Unlike the campy Godzilla vs. Rodan style final conflict, this scene actually made me slide forward in my seat a couple inches.

“Were those claw marks always there?” #DinoRuse
Guess dinosaurs enjoy a good pedicure too.

Don’t move #DonutMan.
Oops, guess the hybrid part of Indominus is a better hunter than a plain old T-Rex. My bad.

Pet a #Raptor at your own risk.
A raptor petting zoo? That’ll be the day.

#Code19. Means #RunAndScream.
If you reverse the 19 and add another 1 at the end you’ll have a number that pretty much sums up their situation.

“Evacuate the island.” Please don’t. I wanna see what happens.
Besides, the movie would be pretty short otherwise.

Bigger. Scarier. Cooler. #SuperSizedDinos
Maybe it’s just me, but weren’t those diminutive Compys from The Lost World (1997) pretty scary when they worked in concert? “Size matters not.”

#OffRoad “The full Jurassic World experience.”
Of course, the kids don’t stop to consider the size of the dinosaur required to tear a hole that large in the fence. Impetuous youth.

#DinoKickball
Bet the kids wish they’d have stayed “on road.”

To be on the safe side, jump on two.
Kicking myself for not using the hashtag #JumpOnTwo. A narrow escape and one designed with 3D in mind.

“It’s killing for sport.” And so far the #IndominusRex is pitching a shutout.

#
TheBirds, Jurassic style.
The hashtag is, of course, a reference to the terrifying Hitchcock film. This sequence is like a turkey shoot but in reverse. How convenient that all of the humans are corralled into one area so that the strafing Pterodactyls can pick them off one by one.

Nice shot, #BeardDude.

“Do not shoot my Raptors!” That’s a first.
My, how far we’ve come from “Shoot her!’

“That thing’s part Raptor.” Gee, I couldn’t have guessed that.
This is an utterly ridiculous reveal since we all knew what dinosaurs were commingled inside Indominus’ DNA back when the fierce behemoth scratched up the wall…and hid in the security blind spot.

How to tase a Raptor.
Very carefully. Avoid its teeth and claws at all costs. Oh, and watch out for the tail too.

2 Raptors and 1 Rex. Where have I seen this scenario before?
This is Exhibit A for how contrived the movie is. The storyboarding here is eerily similar to the climactic T-Rex gang up in the first Jurassic Park movie.

Guess what #IndominusRex. There’s always a bigger fish.
Thank you, Gui-Gon Jinn.

“Stick together for survival.” Memorable #SecondDate.
A decent pickup line only to be used in survival situations.

Final analysis: echoes many scenes/concepts from the earlier films, but super sizes everything.
In many respects, this film is a regurgitation of various elements from the earlier trilogy—there’s very little new thought here.

The film’s moral of humans always needing a bigger, better thrill is as subtle as a jackhammer in a library.
And the fact that the point was driven home repeatedly in the movie reveals just how stilted this topic is—prehistoric preachiness.

Rating:
2 1/2 out of 4 stars. If a maximum destruction #CreatureFeature is on the menu, this one’s for you.

Ever wonder what Jurassic Park (1993) would’ve been like if Nedry’s (Wayne Knight) debacle hadn’t happened and the dinosaur park had actually passed the inspection? This fourth JP installment answers that hypothetical question by picking up the action several years after the park’s opening. Miraculously, the calamitous effects of “chaos” have been averted up to this point, but that’s about to change—those disreputable InGen geneticists have concocted a brand new “hybrid” dinosaur, which was designed less out of scientific curiosity than the need to boost flagging attendance at the park. Besides subplots involving raptor training (and the daffy plan to use them as infantry in a war), the unethical choices made by scientists and shareholders who place a premium on profits over people, an insipid romance between Pratt and Howard, the latter’s inadequacy at connecting with/taking care of her teenage nephews and those same teens being imperiled at every turn, the story is dominated by its new dino on the block…the Indominus Rex. As the central crux of the movie, Indominus serves as antagonist, new park attraction, catalyst for catastrophe, emblem of its creators’ avarice and hubris, McGuffin and embodiment of everything that’s wrong with the film. The name pretty much says it all—Indominus is the incarnation of a bigger, better breed of dinosaur (the first genetically engineered dino in history), created for the sole purpose of entertaining onscreen and in theater spectators. This bifurcated function is both fascinating and bitterly ironic. In the same way that Jurassic World patrons have become bored with the same old dinosaur exhibits, so too have theater attendees grown weary of the by-now standard monster melees involving T-Rex’ and raptors. The Spinosaurus was the answer to this “supersize syndrome” in JP III (2001). Here it’s Indominus: an unnatural amalgamation of a T-Rex and some other unspecified dino, whose true identity is preserved as a “surprise” for the end of the movie. That supposed big reveal exposes a major fallacy on the part of the writers, who’ve grossly underestimated the intelligence of the audience; most people will have solved the tenuous mystery about the same time that Indominus goes all Wolverine on the habitat wall. As one of the story’s prominent through lines, the flaccid subplot involving Indominus’ shrouded origins is egregiously anemic. Equally contrived—and telegraphed from earlier events in the movie—is Indominus’ demise. It’s clear that director Colin Trevorrow intended for Indominus’ comeuppance to be an unexpected twist, but, just as with the disclosure of the creature’s actual genetic makeup, the audience is way ahead of the writers. World’s attempt at providing even more extreme dino attacks than those featured in the earlier films is undermined by action sequences that were lifted right out of the first JP, especially when the two raptors pounce on Indominus (T-Rex in the original film). Also, Howard coaxing the T-Rex with a flare, just like Jeff Goldblum did in JP, is a ridiculous retread. The Pterodactyl attack is visualized in a manner so similar to Hitchcock’s The Birds that the scene plays out like a parody of the classic thriller, only on a grander scale and with modern FX. Has the ingenuity that once flourished in this groundbreaking franchise gone extinct? Another drawback to this film is that none of the major characters from the original trilogy appear here. Since we aren’t invested in the lives of the characters, we really don’t care if they end up as dino snacks or not. Pratt cuts a heroic figure as the raptor whisperer, but we learn next to nothing about his back story. Howard is one step short of annoying as the self-important park executive who exhibits poor parenting skills and, inconceivably, even worse management skills. Ultimately, the missing ingredients here are fun, excitement and genuine suspense. The first JP possessed all of those elements in spades by building a world of wonder and terror that resulted in a one-of-a-kind cinematic thrill ride. World feels unnecessarily rushed, as if it were constructed merely to whisk us along from one dino dustup to the next. The bare bones plot is expeditious, perfunctory and agonizingly formulaic. What little story exists here (the heavy-handed sermon on the fickle fads of humans, the dangers of playing God, the reminder to never leave kids alone in a dino park, etc.) serves as filler between the links of an unending helix of action sequences. My sincerest hope is that the makers of the next JP film will invest more time and energy into character development and a compelling story. Additional suggestions: bring back the joy and awe from first film and throw a spotlight on some of the ancillary dinosaurs—the sick triceratops scene in the first JP was exhilarating and touching and added a good deal to the story without defaulting to yet another meaningless action sequence. If the sequel fails to demonstrate a higher degree of creativity than this dismal entry into the series, we’ll have to christen the next test-tube dino Ignominious Rex.