Back Rowe Reviews
Real Time Movie Reviews from the Back Row of a Theater

Fantastic Four (PG-13)

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Directed by: Josh Trank
Starring: Miles Teller
August 2015

This review was originally tweeted in Real-time from the back row of a movie theater and appears @BackRoweReviews. Though efforts were made to tease rather than ruin this movie’s memorable lines and moments, some spoilers may exist in the following evaluation. The original tweets appear in black, while follow-up comments appear in red. For concerns over objectionable content, please first refer to one of the many parental movie guide websites. All ratings are based on a four star system. Happy reading!

Fantastic Four
Flame out. Perhaps forever.

“I’ve already built it.” Sure kid.
We saw this exact same scenario—kid with an invention that actually works rejected by a narrow-minded adult—earlier this summer in Tomorrowland (and also in last year’s Big Hero 6 and 2006’s Meet the Robinsons). Hackneyed movie opener.

Reed needs a power converter. I think Luke picked up a spare at #ToscheStation.
You might have to put up with his whiney voice, but he’s a fair trader.

“You’re paying for the backboard.” No appreciation for science.
Is this Hoosiers (1986) or a superhero movie?

“There’s patterns in everything.” Like #KateMara’s shirt, for instance.
Why can’t Sue see the pattern of destruction that’s in the offing?

“Fix what my generation broke.” Tall order.
And extremely unfair. It’s like saying, “We blew it and now it’s up to you to save the world. No pressure.”

“Us us?” Great dialog.
“Yes, yes.” Because a team of scientists would make prime candidates for exploring a new world, right?

Cool #Lego mug.
Does it come apart? Might create a minor inconvenience if it contained hot coffee.

Where are the space suits for the chimps? #AnimalCruelty
I guess because the chimps didn’t actually step out onto the alien planet they didn’t necessarily need space suits. However, as a precaution against any kind of hull breach that would allow a foreign, virulent agent into the capsule, the simians technically should’ve been inside some sort of environment suit…with a sippy straw leading to a bladder full of puréed bananas. Also, if the chimps had gotten out they might have established a true Planet of the Apes.

Reed Richards can create a teleportation device, but doesn’t know how to do a #FistBump? #Lame
Just proof positive of how little thought was put into this script by writers Jeremy Slater, Simon Kinberg and Josh Trank.

“I don’t think we went anywhere.” Kinda like the plot.
Indeed, the entire movie is like a roller coaster that never leaves the platform…all hype and no thrills.

Victor falls into the green lava pit. He’s doomed.
Will we ever get away from these tacky villain names taken directly from the comic books? Today’s audience is savvy enough to know who the antagonist is without naming him Von Doom.

#PlanetZero Where all plots go to die.
Planet Zero…where zeros are turned into heroes. Planet Zero…where you get zero entertainment value for your two hour and twelve buck investment. This is too easy.

Sue’s adoptive dad calls her Susan, which she dislikes. #Nitpick
Earlier, we learn that Sue dislikes being called “Susan” by Victor. So why would her adoptive father call her a name she doesn’t want to be called?

Johnny accidentally throws a fireball at Sue. #FriendlyFire
And the military is thinking about using him as an asset?

The naming of the group scene is utterly insane.
Correction: Although the scene is quite insane, I meant to type “inane.”

Final analysis: a poorly produced and paced reboot that squanders its talent on mediocre fare.
By talent, of course, I mean the central four cast members, each of whom is primed to become a major Hollywood star.

Rating:
1 1/2 out of 4. The only thing fantastic about this film is the wealth of commentary it’s generated.

I see no reason to waste my time (or yours) on a full review for this film. Actually the word “film” is too fine an appellation for this superfluous series of bland, expositional scenes which are performed on drab sets and locations and adorned with substandard production elements. It’s no overstatement that a sixth grader could’ve written a better story than what we find in this pedestrian plot, which lays out something like this: they went, they came back, they went again to fix everything they messed up the first time and then they came back home. See Dick run. The first half of the picture focuses on the “they went” part, which drags on and on with uninteresting character beats and infuriatingly prosaic dialog. The four heroes finally get their superpowers about midway through the movie, at which point we’ve become so terminally bored that we really could care less what happens to them. The action sequences are poorly conceived and executed and are accompanied by lackluster visual effects, save for the impressive scene where the trees and cars are sucked up into the singularity a la Mega Maid’s cosmic vacuum in Spaceballs (1987). As for the “major” fight scene at the end of the flick…kids staging an imaginary battle in their backyard could’ve choreographed a more creative and energetic melee than the one featured here. This is especially true of the scene where Dr. Doom quickly and easily neutralizes the powers of each member of the Fantastic Four. They aren’t so fantastic after all it would seem…much like the movie itself. Bottom line: This ill-advised release makes the original, mediocre Fantastic Four movies look like The Avengers films by comparison. This un-Fantastic flick may have singlehandedly killed the series despite the presence of some truly talented young performers in the title roles. Unless some future reboot miraculously reanimates the comatose series, this franchise is doomed.